on the outside

image: anne bernecker

excellent outerwear + leather mini + tote

babes in frames

  

lindsey wixson and ashley williams

inspiration: the versace archive

Spring 1993

Fall 1994

Spring 2002 

Fall 2004

images here

You to come to expect only the most polished and perfected of women to feature in a Versace campaign.

So it was nice to find, during a large bout of of procrastination, the Spring 1993 campaign featuring denim, chiffon, and seemingly natural hair and make-up. A dose of subtlety before the super humans took over.

I'm not complaining, the 'Supers' campaign of Fall 1994 might just be my favourite ever. (I say, whilst trying to work that mini and cropped knit combo in to my day to day wardrobe.)

Another favourite is Spring 2002 with Israeli-American model Sharon Garnish. The printed sarong and white boot combo, the tasseled leathers on the beach, a lesson in unapologetic sexiness if ever I saw one.

made by you

more rag & bone diy here

 

more lonely hearts here

Currently enjoying  the whole 'models in their natural habitats' aesthetic utilised by some brands.

I always need to see clothes on someone to really love them (Asos catwalk is a god send) and to get a feel for the way they move and look on a live person, with a face!

So even better then, is to see how these clothes fit in with lives, with other clothes, and with personal aesthetic.

Rag & bone's diy offerings are of course amazing. With the models given a camera, a pair of rag & bones and free reign to do what ever they want. 

Miranda, Jessica, Candice & co prove to look even better behind their own lens, but be sure to check out the newest images, that see young British talent bring their own aesthetic to the project.

Similarly, New Zealand label Lonely Hearts sent photographer Zara Mirkin to the homes of cool girls around the globe to see how they wear the lonely hearts label. You get a glimpse in to their homes, and a snapshot of lonely lingerie, styled their way.

It might be the lack of makeup, the ease of styling and the absence of photoshop, but something about these types of projects make the pieces shown, to me, seem just that little bit more covetable.  

say it with cake

photography Tara Welch